It’s hard enough for a band to find reasonable success while upholding some shoestring semblance of indie cred. But it’s even harder for that band to take a hiatus mid-upswing, plummet into obscurity (or a practice space), and emerge with fanfare provided by the lone horns of a new name and a new album.

For Neo Nouveau, though, the second try might turn out better than the first. Originally playing under the moniker of Holiday, the Providence, RI four-piece made its musical mark by playing rather Californian-catchy, sunny songs chilled by the band’s hometown New England winds. This unusual take on a simple formula—and the inherently universal catch all-quality of pop music—helped place the band on show bills as opening acts for Phantom Planet and The Thrills.

With The Fork & Knives, Neo Nouveau’s first full-length release since Words That Rhyme, the band remains nearly unchanged. The same well-played tricks that worked so well earlier remain; what differs is Neo Nouveau’s approach to these tricks. Instead of the once blushing, hesitant and unsure garage rockers, Neo Nouveau have matured into a confident—even charmingly cocky—band. And this change shows. The Forks & Knives is built on a good, sturdy foundation of The Guest-era Phantom Planet that was wrung of its sweetness with the gritty-disposition of The Kills and lovingly mended with the gentle, disco-tinged dance of Phoenix. And with sincere, witty, and silly lyrics, it’s easy to see that this band has potential to charm its way into each and every heart (and onto each and every iPod playlist).

While for now there are only a few who are celebrating Neo Nouveau’s return to the music scene, it’s only a matter of time before some new fans join the fanfare.

Give the Author Some Feedback!